23/08/10   2010 . 2009 . 2008 . 2007 . 2006 . 2005      PROGRAM · PARTICIPANTS · ORGANISERS · ADRESSES · PARTNERS · SPONSORS     ENG / RU / NL         13/09 - 22:30 PITER St.Petersburg/Cinema Center PIK   14/09 - 20:00 Poetic, Experimental and Progressive Short Films from Rotterdam St.Petersburg/ESG-21, Art-Center Puskinskaya 10   15/09 - 20:00 WE vs. DEATH St.Petersburg/Red Club   15/09 - 21:30 Poetic, Experimental and Progressive Short Films from Rotterdam St.Petersburg/Cinema Center PIK   15/09 - 23:00 DJ BONE St.Petersburg/Club 2nd etazhe   16/09 - 21:00 ZEA St.Petersburg/Platforma   16/09 - 23:59 DJ BONE St.Petersburg/Club Money is Honey, 2nd floor   17/09 - 21:00 DE KIFT St.Petersburg/Platforma   17/09 - 22:00 DJ BONE St.Petersburg/Bar Datscha   18/09 - 19:00 DE KIFT with opera Vier Voor Vier St.Petersburg/Shuvalovsky Palace   18/09 - 21:20 Poetic, Experimental and Progressive Short Films from Rotterdam St.Petersburg/Cinema Center PIK   18/09 - 22:00 PITER St.Petersburg/Cinema Center PIK   20/09 - 20:00 WE vs. DEATH St.Petersburg/Club Moloko   21/09 - 20:00 ZEA St.Petersburg/Club Moloko       Foundation KULTPROM Telephone for information: +31614329802 Natasha Padabed natasha*kultprom.org www.kultprom.org myspace.com/dutchpunch WORM mail address: PO Box 25045 3001 HA Rotterdam visiting address: Achterhaven 148 3024 RC Rotterdam tel office +31104767832 Sascha Roth sascha*wormweb.nl www.wormweb.nl/     Red Club Poltavskaya 7 St.Petersburg t.: 2770000 www.clubred.ru   Platforma Nekrasova 40 St.Petersburg t.: 7196123 www.platformaclub.ru   ESG-21, Art-Center Puskinskaya 10 Ligovsky prospekt 53 Museum Fligel, 3d floor St.Petersburg t.: 1645258 www.tac.spb.ru   Shuvalovsky Palace Dom Druzhby, Fontanka 21 St.Petersburg   Cinema Center PIK Sennaya Square, 2. 4th floor PIK St.Petersburg t.: 449-24-32 www.kinopik.ru   Club Money is Honey, 2nd floor Apraksin Dvor, building 14 St.Petersburg t.: 320-05-49 www.moneyhoney.org   Bar Datscha Dumskaya 9 (M. Gostiny Dvor) St.Petersburg   Club 2nd etazhe Dumskaya 9 (M.Gostiny Dvor) St.Petersburg   Club Moloko St.Petersburg t.: 274-94-67         MUSIC   DE KIFT The members of De Kift, begun in 1988, came from the punk waves of the eighties. Their starting-point was to make music using text in one’s own language, with an accent on intelligibility. This idea emerged in the 1989 lp Yverzucht; rhythmic music in an electric arrangement. A brass-band past provided trumpet, trombone & tuba. DE KIFT will perform Dutch version of Daniil Charms' "Elizabeth Bam" - an opera VIER VOOR VIER in Shuvalovsky Palace on 18th of September. In 2005 Daniil Charms would be 100 years old. In St.Petersburg and in other places there will be activities devoted to his jubileum. Source of inspiration for Vier Voor Vier was Oberiu, short for Obyedineniye Realnogo Iskustva (The Association for Real Art): the group of artists Daniil Kharms was part of and that was active between 1927 and 1932. Oberiu set itself up as defender of experimental art that was at odds with the realism the government propagated. The group organised performances that faded into another different art forms such as literature, film, music and theatre. Of Oberiu, not many tangible things remain. The best-known activity was the evening Three Left Hours that took place in St. Petersburg on 24 January 1928. This evening consisted of the reading of the Oberiu manifest followed by the declamation of poetry, the screening of Film no. 1 and the staging of Kharms play Elisaveta Bam. On Vier Voor Vier, De Kift brings together the seemingly distant musical worlds of opera and pop music, entirely in the spirit of Oberiu. 17th of September - a very special concert of old and new songs in Platforma club.     WE vs. DEATH "Brass meets strong rhythm and guitars. A dusty sound reminiscent of bigger cities in summer. We vs. death surprises you with every turn they make on their instrumental journey where trumpet, guitars, bass and drum battle and make peace and love.'' we vs. death: five fine young men from Utrecht, the Netherlands, have been playing together since 2001. Music has been melodic, dynamic and warm.     ZEA Arnold: Guitar/Vocals - Remko: Electronics Two boys (living in Amsterdam, Holland) transforming their wide variety of influences (such as hiphop, techno, noise and pop) into their very own style. They re-arrange and mix their influences until the fragments fall into an exciting new form of song. At first maybe not manifest, but behind subtle structures and strange chord-changes a catchy song always shows through. Ultimately rich in expressing different moods in an electro-acoustic environment the songs are to-the-point, with a head and a tail. Energy, surprise, excitement and some nice moments of tranquillity are fed by playful inspiration. Zea shows in a ghostly-carousel whirl of samples and melodies with passion that popmusic still has unlimited possibilities and with that the beauty of it: originality caught in a unique form. reviews: Careless Talk Costs Lives: "Genius indiepop made by two notepad-doodled Dutch boys that have Autechre soundtracking Rugrats coming in one set of ears and the sweet harmony of Mr Bungle flushing Belle & Seb's heads down the toilet going out of the other. The respective rosters of Sarah records and Tigerbeat6 line up at opposite ends of the playground and then…BULLDOG!! Snot and hairgrips everywhere." Kerrang: Dutch duo Zea had the bright idea of punctuating their frenzied guitars and crashing drums with ringtones, accordions, bells, whistles, freaky voices, plinky-plonky pianos and other surreal sounds. Bizarrely enough, somehow it works. Like Japanese experimental rockers Polysics and Buffalo Daughter, Zea casually throw brainnumbing noize, punchy pop, hamfisted hip-hop and funky techno into the mix, creating a jagged, f**ked-up sound that's so much more than the sum of its parts. Like They Might Be Giants jamming with the Ramones or Pink Floyd headlining a punk convention, Today I Forgot To Complain is bewildering, enigmatic and always full of surprises.LOGO magazine: “Today I Forgot To Complain is one of those records, taking laptop folk first into the realms of Kraftwerk and Devo, then into the arms of Television, and finally into the middle of the pit alongside Iggy. Playlouder “Single Of The Week”: Zea are two blokes from Amsterdam who mix their music up, with bits of indie, hip-hop, random noise and pop, and on this track especially, they sound like They Might Be Giants after they've fallen on their heads. Superb, and a worthy winner." LOGO magazine: “Zea sound like they've been visited by the Gary Numan-obsessed ghost of At The Drive-In. A brightly hued collage of electro, glitch-pop and heavily compressed guitars, the image of Stephen Malkmus reborn as an angry wasp trapped under a beer glass is one that won't abate. Here sits two very good arguments for legalising drug use." Careless Talk Costs Lives Genius indiepop made by two notepad-doodled Dutch boys that have Autechre soundtracking Rugrats coming in one set of ears and the sweet harmony of Mr Bungle flushing Belle & Seb’s heads down the toilet going out of the other. Dream Magazine This Dutch duo make a charmingly schizophrenic sort of fractured punkadelic artpop, and they are good at it! Compressed trajectories recall The Notwist, but amplified into some Buzzcocks adrenalin rushes, alternating with neon ricochet math rock pencils standing on their hard sharpened points, with shimmering synth tickles from heaven.     DJ BONE DJ Bone is a resident deejay in three clubs in Amsterdam, among them is world famous DE DIPTE, where he s got his own weekly or monthley nights apart from all the one off partys He s famous for closing partys in the early hours because his energetic mix will keep people dancing till they drop!!! In the mean time his musical scala has broadend in many directions but always with that raw edge wich makes the Bone sound; you can expect a mix of garagepunkrockandrollsurfexoticasoulskaetc...     Poetic, Experimental and Progressive Short Films from Rotterdam The short films in the programm are a very personal selection of short films from the last three years, mainly produced in Rotterdam. This programm could only be organised thanks to the great support of all the filmmakers involved. Marsa Abu Galawa (Part 4:Careless Reef) - Gerard Holthuis The Second Memory Bea de Visser On firing rifles in the air - Sander Blom De Wachter / The Watcher - Hanke Kleij and Andre Schreuders Interlude (1) - Kirsten Leenaars Souvenir from Africa - Arianne Olthaar & Marjolijn van der Meij Petting Bunny Laurens Jong Jinx â Karel Doing & Lieber Gorilla Interlude (2) Joost van Veen More on shorts.kultprom.org/shortspage.htm       POETRY     FILM and VIDEO-ART     INSTALLATIONS     EXHIBITIONS       2006 © KULTPROM .